MetrosPress — The Modern Newsroom for Press Releases

Millionsworth Public Relations examines the copyright dispute involving Kenyan influencer Foi Wambui, OPPO and musician Mutoriah over the alleged unauthorised use of the song Beta in an OPPO Reno 12 5G advertisement. The article uses the case to explore a broader issue in influencer marketing: whether brands have properly managed disclosure, creative permissions, approval responsibilities and agency oversight before publishing content through a creator’s channels. It argues that influencer management is not limited to audience reach and campaign performance. Brands must also understand the contractual and reputational responsibilities behind the content they commission, including third party music, images, claims, adaptations and paid distribution. The article is relevant to organisations, agencies and creators managing influencer campaigns across Africa.

The Pretoria bridal boutique addresses a wedding day detail brides often overlook, helping them find shoes built to last from the ceremony through to the last dance.

The Pretoria firm outlines why having a valid Will isn't enough on its own if the original document can't be produced when it's needed.

The Pretoria firm examines why the choice of Executor named in a Will matters as much as the assets it distributes, and what families risk by leaving it to chance.

The Sabie, Mpumalanga based rehabilitation centre outlines the elements consistently linked to effective, sustained recovery, offering a practical way to assess any treatment programme.

South African entrepreneurs, television personalities and sisters Samantha and Theressa Malinga are stepping into a new chapter with the launch of You Nuevo Know, their first podcast. Known to audiences from MTV Base’s Have Faith, the sisters have built their careers side by side, evolving from dancers to university graduates, entrepreneurs and public figures. They are now bringing that shared history, their individual experiences and their natural sister dynamic to a new platform designed for open, relatable and meaningful conversations.

It is 12:36 in Kampala and somewhere inside Course View Towers, an international campaign has just been approved for Uganda. The strategy is finished, the purpose has been agreed, the creative platform is locked and the only remaining question is how to “localise” it. The local media landscape will be mapped, Ugandan creators will be considered, Kampala locations may appear in the visual treatment and somebody will carefully adjust the language so that a campaign conceived thousands of kilometres away feels sufficiently familiar when it reaches its intended audience. By the end of the process, the campaign may have acquired almost everything required to look Ugandan. What nobody may have established is why Uganda needs it.